{"id":2086,"date":"2000-01-04T00:42:55","date_gmt":"2000-01-03T23:42:55","guid":{"rendered":"https:\/\/chaplachap.com\/art\/?p=2086"},"modified":"2025-07-26T15:28:01","modified_gmt":"2025-07-26T14:28:01","slug":"video-vibe","status":"publish","type":"post","link":"https:\/\/chaplachap.com\/art\/video-vibe\/","title":{"rendered":"Video Vibe: Arte, Musica e Video in Gran Bretagna"},"content":{"rendered":"<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-15631\" src=\"https:\/\/chaplachap.com\/art\/wp-content\/uploads\/video-vibe-520x826.jpg\" alt=\"\" width=\"520\" height=\"826\" srcset=\"https:\/\/chaplachap.com\/art\/wp-content\/uploads\/video-vibe-520x826.jpg 520w, https:\/\/chaplachap.com\/art\/wp-content\/uploads\/video-vibe-85x135.jpg 85w, https:\/\/chaplachap.com\/art\/wp-content\/uploads\/video-vibe.jpg 800w\" sizes=\"auto, (max-width: 520px) 100vw, 520px\" \/><\/p>\n<p>&nbsp;<\/p>\n<p>Gallery of The British School at Rome<br \/>\n11 May \u2013 3 Jun 2000<br \/>\nand touring to Gallery of Modern Art, Bergamo; MAN, Nuoro; Salara, Bologna; Palazzo Ducale, Genoa; Argos, Brussels; Elektra Festival, Montr\u00e9al; CAC, Vilnius <a href=\"https:\/\/cac.lt\/en\/exhibition\/video-vibe-art-music-and-video-in-the-u-k\/\" target=\"_blank\" rel=\"noopener\">\u2192<\/a><\/p>\n<p>Video installations: Mark Dean, Cerith Wyn Evans,\u00a0Hilary Lloyd,\u00a0Ross Sinclair<br \/>\nVideo screenings: Doug Aitken, Darren Almond, Charles Atlas, George Barber, Clio Barnard, Richard Billingham, Leigh Bowery, Angus Cook, Anton Corbjin, Chris Cunningham, John Currin, Edwin David, Mark Dean, The Duvet Brothers, Kim Flitcroft &amp; Sandra Goldbacher, Low Expectations, Matthew Glamorre, Gorilla Tapes, Mark Hasler, Damien Hirst, Derek Jarman, Yayoi Kusama, Tim Leandro, John Maybury, Sarah Miles, Maria Mochnacz, Alison Murray, Pierre et Gilles, Ross Sinclair, Georgina Starr, Throbbing Gristle, Baillie Walsh<\/p>\n<div style=\"width: 100%; height: 1px; background: #333333; font-size: 0;\">&#8211;<\/div>\n<p>exhibited works:<\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"https:\/\/chaplachap.com\/art\/?p=111\"><img decoding=\"async\" src=\"https:\/\/chaplachap.com\/art\/wp-content\/uploads\/all-the-time.jpg\" alt=\"\" width=\"520\" \/><\/a><\/p>\n<p>&nbsp;<\/p>\n<p><iframe loading=\"lazy\" src=\"https:\/\/player.vimeo.com\/video\/140447977?autoplay=0&amp;loop=1&amp;title=0&amp;byline=0&amp;portrait=0\" width=\"520\" height=\"390\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p>&nbsp;<\/p>\n<p><strong><a href=\"https:\/\/chaplachap.com\/art\/?p=111\">All The Time (Paranoid x 256 x 33 1\/3)<\/a><\/strong><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"https:\/\/chaplachap.com\/art\/goin-back-the-birds-the-byrds-x-32-1\/\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-15034\" src=\"https:\/\/chaplachap.com\/art\/wp-content\/uploads\/Goin-Back-2-520x390.jpg\" alt=\"\" width=\"520\" height=\"390\" srcset=\"https:\/\/chaplachap.com\/art\/wp-content\/uploads\/Goin-Back-2-520x390.jpg 520w, https:\/\/chaplachap.com\/art\/wp-content\/uploads\/Goin-Back-2-800x600.jpg 800w, https:\/\/chaplachap.com\/art\/wp-content\/uploads\/Goin-Back-2-180x135.jpg 180w, https:\/\/chaplachap.com\/art\/wp-content\/uploads\/Goin-Back-2.jpg 1440w\" sizes=\"auto, (max-width: 520px) 100vw, 520px\" \/><\/a><\/p>\n<p>&nbsp;<\/p>\n<p><iframe loading=\"lazy\" src=\"https:\/\/player.vimeo.com\/video\/130815937?autoplay=0&amp;loop=0&amp;title=0&amp;byline=0&amp;portrait=0\" width=\"520\" height=\"390\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p>&nbsp;<\/p>\n<p><strong><a href=\"https:\/\/chaplachap.com\/art\/?p=34\">Goin\u2019 Back (The Birds\/The Byrds x 32 + 1)<\/a><\/strong><\/p>\n<p>&nbsp;<\/p>\n<div style=\"width: 100%; height: 1px; background: #333333; font-size: 0;\">&#8211;<\/div>\n<p>gallery information:<\/p>\n<p>The exhibition &#8216;Video Vibe&#8217;, which opens at the British School at Rome on Thursday 11 May at 6.30 pm, explores those intersections where music culture and video meet and offers a number of examples of dialogue between the two media. The videos demonstrate that the relationship between sound and image is in a constant state of flux, where these two languages, which today are involved in an ever increasing dialogue, share similarities, differences and overlappings of two languages.<\/p>\n<p>The exhibition, curated by Cristiana Perrella and Daniela Cascella, consists of five themed video compilations, three monitor pieces by <a href=\"https:\/\/chaplachap.com\/art\/?p=111\">Mark Dean<\/a>, Ross Sinclair, Cerith Wyn Evans, and a video installation by Hilary Lloyd (Ewan, 1995).<\/p>\n<p>The former compilation comprises videoclips generated by collaboration between bands, visual artists, film and videomakers. It includes Country House (Damien Hirst\/Blur), Love Town (Yayoi Kusama\/Peter Gabriel), The Queen is Dead (Derek Jarman\/the Smiths), Halcyon Days (Orbital\/Sarah Miles) Windowlicker and Come to Daddy (Chris Cunningham\/Aphex Twin).<\/p>\n<p>The latter presents videos made by artists in which music language and culture have an undeniable presence, including among others Kissy Suzuki Suck by Alison Murray, All Tomorrow\u2019s Parties by Edwin David, <a href=\"https:\/\/chaplachap.com\/art\/?p=34\">Goin\u2019 Back (The Birds\/The Byrds) x 32 + 1<\/a> by Mark Dean, Jason Chopping by Richard Billingham.<\/p>\n<p>The remaining three compilations provide a kind of &#8220;historical&#8221; background to the first two and are devoted to three indivisual phenomena: Throbbing Gristle \u2013 a group of performers\/artists\/musicians who in the late Seventies anticipated the most extreme and experimental tendencies of music and art in the broadest sense; Leigh Bowery \u2013 one of the most remarkable and influential figures of the transgressive and energetic music and art scene of 1980\u2019s London; Scratch Video \u2013 a strand of video art born in the mid-Eighties, whose aggressive aesthetics stretched the boundaries between different media and which created new cross discipline fields of research for experimentation with video.<\/p>\n<p>The catalogue of the show, published by Castelvecchi, features texts (in Italian and English) by Cristiana Perrella, Daniela Cascella, Maria Rosa Sossai, Luca Beatrice, in addition to specific pages and images related to all the videos in the show.<\/p>\n<p>Video Vibe will continue with a tour of public venues in other cities in Italy, including Milan, Bergamo, Bologna, Nuoro, and in Europe, including Brussels and Geneva.<\/p>\n<p>Video installation<\/p>\n<p>Mark Dean, <a href=\"https:\/\/chaplachap.com\/art\/?p=111\">All The Time (Paranoid x 256 x 33 1\/3)<\/a>, 1999<br \/>\nHilary Lloyd, Ewan, 1995<br \/>\nRoss Sinclair, Nirvana Unplugged in Amsterdam, 1995<br \/>\nCerith Wyn Evans, Kim Wilde Auditions, 1987<\/p>\n<p>Programme Part I<\/p>\n<p>Videoclip<\/p>\n<p>Derek Jarman\/The Smiths, The Queen is Dead, 6\u2019, 1986<br \/>\nPierre et Gilles\/Marc Almond, A Lover Spurned, 5\u201930\u2019\u20191989<br \/>\nJohn Maybury\/Sinead O\u2019 Connor, You Do Something to Me, 4\u2019, 1990<br \/>\nSarah Miles\/Orbital, Halcyon Days, 4\u2019, 1992<br \/>\nMaria Mochnacz \/ PJ Harvey, Man Size, 5\u2019, 1999<br \/>\nAnton Corbjin \/ Depeche Mode, Walking in my Shoes, 4\u201957\u2019\u2019, 1993<br \/>\nYayoi Kusama\/Peter Gabriel, Love Town, 5\u201935\u2019\u2019, 1994<br \/>\nJohn Currin\/Pulp, Help the Aged, 4\u201933\u2019\u2019, 1997<br \/>\nChris Cunningham\/Aphex Twin, Come to Daddy, 5\u201949\u2019\u2019, 1997<br \/>\nDoug Aitken\/Fatboy Slim, Rockafeller Skank, 3\u201958\u2019\u2019, 1998<br \/>\nDamien Hirst\/Blur, Country House, 5\u2019, U-Matic, 1998<br \/>\nClio Barnard \/ Black Box Recorder, Child Psychology, 4\u201906\u2019\u2019, 1998<br \/>\nChris Cunningham\/Aphex Twin, Windowlicker, 11\u2019, 1999<\/p>\n<p>Video d\u2019artista<\/p>\n<p>Alison Murray, Kissy Suzuki Suck, 18\u2019, 1992<br \/>\nEdwin David, All Tomorrow\u2019s Parties, (estratto), 1996<br \/>\nRoss Sinclair, The Sound of Young Scotland, Part 2, Volume 2, (estratto), 1996<br \/>\nDarren Almond, Schwebebahn (Day 2), 12\u201940&#8243;, 1995<br \/>\nRichard Billingham, Jason Chopping, (estratto), 1999<br \/>\nGeorgina Starr, Draiiorgel de Nooderkroon, (estratto), 1999<br \/>\nLow Expectations, Abandabandon Low Expectations, 1995<br \/>\nClio Barnard, Dirt and Science, 1998<br \/>\nSarah Miles, Amaeru Fallout 1972, 10\u2019, 1997<br \/>\nMark Dean, <a href=\"https:\/\/chaplachap.com\/art\/?p=34\">Goin\u2019 Back (The Birds\/The Byrds x 32 + 1)<\/a>, 9\u201930\u2019\u2019, 1997<\/p>\n<p>Programme Part II<\/p>\n<p>Throbbing Gristle<\/p>\n<p>After Cease to Exist, COUM Transmissions film, 20\u2019, 1976<br \/>\nRecording Heathen Earth, estratto, 1980<br \/>\nOundle School, estratto, 1980<br \/>\nDerek Jarman, TG Psychic Rally in Heaven, 8\u2019, 1981<br \/>\nDestiny, estratto, 1981<br \/>\nMission of Dead Souls, estratto, 1981<br \/>\nDerek Jarman, In the Shadow of the Sun, 54\u2019, 1974\/1980<\/p>\n<p>Scratch video<\/p>\n<p>The Duvet Brothers, Chat Show, 48\u2019\u2019, 1985<br \/>\nGorilla Tapes, Santa Fe Trail, 3\u201907&#8243;, 1985<br \/>\nGeorge Barber, Yes Frank, No Smoke, 7\u201907&#8243;, 1985<br \/>\nGorilla Tapes, Till Death To Apartheid, 3\u201925&#8243;, 1985<br \/>\nGeorge Barber, Absence of Satan, 4\u201928&#8243;, 1986<br \/>\nThe Duvet Brothers, Pillow Talks, 1\u201932&#8243;, 1985<br \/>\nKim Flitcroft &amp; Sandra Goldbacher, Nights of the Living Dead, 1\u201955&#8243;, 1985<br \/>\nThe Duvet Brothers, The Arms Trade, 3\u201937&#8243;, 1986<br \/>\nTim Leandro, Face 2, 22&#8243;, 1986<\/p>\n<p>Leigh Bowery<\/p>\n<p>Baillie Walsh for Boy George, Generations of Love, 1990<br \/>\nCharles Atlas, Teach, 1992<br \/>\nMatthew Glamorre, A Smashing Night out, 9\u201913&#8243;, 1994<br \/>\nMark Hasler, Death in Vegas, 6\u2019, 1994<br \/>\nPerformance at Fort Asperen, 9\u201939\u2019\u2019, 1994<br \/>\nAngus Cook, Flour (single screen version), 4\u2019, 1995<br \/>\nJohn Maybury, from Read Only Memory, 1\u201957\u2019\u2019 (estratto), 1998 <a href=\"https:\/\/www.youtube.com\/watch?v=E8xdov7mQgI\" target=\"_blank\" rel=\"noopener noreferrer\">\u2192<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Gallery of British School at Rome &#038; touring<\/p>\n","protected":false},"author":7,"featured_media":17521,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":"","_wp_rev_ctl_limit":""},"categories":[102,62],"tags":[],"class_list":["post-2086","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-selected-exhibitions","category-group"],"_links":{"self":[{"href":"https:\/\/chaplachap.com\/art\/wp-json\/wp\/v2\/posts\/2086","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/chaplachap.com\/art\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/chaplachap.com\/art\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/chaplachap.com\/art\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/chaplachap.com\/art\/wp-json\/wp\/v2\/comments?post=2086"}],"version-history":[{"count":10,"href":"https:\/\/chaplachap.com\/art\/wp-json\/wp\/v2\/posts\/2086\/revisions"}],"predecessor-version":[{"id":23902,"href":"https:\/\/chaplachap.com\/art\/wp-json\/wp\/v2\/posts\/2086\/revisions\/23902"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/chaplachap.com\/art\/wp-json\/wp\/v2\/media\/17521"}],"wp:attachment":[{"href":"https:\/\/chaplachap.com\/art\/wp-json\/wp\/v2\/media?parent=2086"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/chaplachap.com\/art\/wp-json\/wp\/v2\/categories?post=2086"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/chaplachap.com\/art\/wp-json\/wp\/v2\/tags?post=2086"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}